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Cover of academic journal, PAJ: A Journal of Performance and Art, Volume 39, Number 1, January 2017, published by MIT Press. This issue contains the review, Moving Marks by Brooke Leigh, published in the Art & Performance Notes section.

Moving Marks

ART & PERFORMANCE NOTES
Emma Fält, On loneliness and contact—togetherness in drawing, one-hour workshop held at Draw to Perform 3, Crows Nest Gallery, London 31 July 2016. Photo: Courtesy Loredana Denicola.
Image from the review, Moving Marks by Brooke Leigh published in the Art & Performance Notes section of PAJ: A Journal of Performance and Art, Volume 39, Number 1: Jaanika Peerna, Glacier Elegy (part 2), thirty-minute durational performance, ice, pigment, Mylar, sound. Photo: Courtesy Marco Berardi.
Page 58 of PAJ: A Journal of Performance and Art, Volume 39, Number 1, January 2017, published by MIT Press, featuring the first page of Moving Marks by Brooke Leigh, published in the Art & Performance Notes section.
Cover of academic journal, PAJ: A Journal of Performance and Art, Volume 39, Number 1, January 2017, published by MIT Press. This issue contains the review, Moving Marks by Brooke Leigh, published in the Art & Performance Notes section.

Publication type

Review

Publication

PAJ: A Journal of Performance and Art

Publisher

MIT Press

Suggested citation

Carlson, Brooke. “Moving Marks.” PAJ: A Journal of Performance and Art 39, no. 1 (2017): 58-66. muse.jhu.edu/article/647202.

Article link

https://muse.jhu.edu/article/647202

Keywords

  • Draw to Perform, drawing, drawing performance, live drawing, movement, performance art

About the publication

PAJ explores innovative work in theatre, performance art, dance, video, writing, technology, sound, and music, bringing together all live arts in thoughtful cultural dialogue. Issues include critical essays, artists’ writings, interviews, plays, drawings, and notations, with extended coverage of performance, festivals, and books.

Summary

Moving Marks explores the intersection of drawing and performance art by reviewing different ideas and approaches to mark making presented at the Draw to Perform 3 Symposium at Crows Nest Gallery, London in July 2016. Curated by Ram Samocha, the theme of this Symposium, collaborations, lead artists to focus and reflect on the relationship between material, artist, body, space and audience.

A note from the author

This article was published under Brooke Leigh’s previous name, Brooke Carlson.